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11.00
Official opening ceremony
in the presence of H.E. Mr. Traian Basescu,
president of Romania
and H.E. Mr. Mihai-Razvan Ungureanu, Minister of Foreign Affairs
- EXPO DOME -
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11.20
National Radio Orchestra
Madrigal Choir
Ballet – National Opera
Allegretto Choir
Pan-flute SINGER Nicolae Voiculet, accompanied at
piano by Giovanni De Cecco
National Aerobics Team
- EXPO DOME -
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12.00
Fanfara from Chetris
- Event Space -
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13.00
Joint show of Romanian and Japanese children
Allegretto choir
Traditional drums orchestra from Minamichita
National Aerobics Team
- EXPO DOME -
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14.00
Fanfara from Chet
- Event Space -
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15.00
The Japanese-Romanian Economic Forum “Romania
– The Future Destination of Your Business”
- Rotary International EXPO Friendship
Center-Rotary Club Hall –
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UNder the high
Patronage of H.E. Mr. Traian Basescu, President of Romania
Madrigal Choir
- EXPO DOME -
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15.40
Fanfara from Chetris
- Event Space -
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16.00
Pan-flute SINGER Nicolae Voiculet and piano
SINGER Giovanni de Cecco
- EXPO DOME -
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16.30
Fanfara from Chetris
- Event Space -
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17.00
National Radio Orches
- EXPO DOME -
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18.30
Fanfara from Chetris
- Event Space -
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19.00
Rock band concert – Holograf
Unplugged
- EXPO DOME -
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 Children’s
Vocal Group Allegretto
Allegretto Vocal Group has been founded in 1974, being composed since
then by children aged 4 to 14. They are selected on the ground of their
musical talent (main sense of rhythm and good musical memory). The
repertoire of the group has orchestral support and is adjusted to the age
and memory capacity of the children.
The repertoire includes, forth Romanian plays, songs in foreign
languages: Spanish, Greek, Turkish, Hebrew, Swedish, Ukrainian, Arab,
Russian, Rromanes.
In the last 12 years, Allegretto Group performed in 54 international
tours and has taken part in over 50 competitions and festivals, where it
has been awarded 47 Grand Prizes, Golden Medals, the
Grand Prix for interpretation, the First Place
and several Laureate titles.
The group has the honor to play for main personalities of the world, as
Pope John Paul II, the presidents of Poland,
Italy, the
Kings of Jordan, Morocco,
Belgium etc.
The Allegretto Group has had several collaborations with Romanian
Television companies such as Romanian Public Television – TVR, PRO TV, Antena 1, Prima TV, as well as with foreign TV
companies, like BBC, ZDF, TF1, RAI UNO, Moroccan National Television,
Jordanian TV, Latvian TV, Mongolian TV.
Allegretto is the only Romanian Group that has performed with the well
known Romanian and world artists, among which Mariana Nicolesco,
Richard Clayderman, Toto Cutugno,
Nicola di Bari, Rita Pavone, Natalia
Oreiro.
Nowadays, the Group repertoire comprises over 84 songs, as well as over
70 songs recorded for special events.
The group is trained and led by Adriana Codreanu
and Gherasim Chirita.
Their e-mail address is: allegretto@yahoo.com
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 National
Chamber Choir “Madrigal”
The Romanian National Chamber Choir “Madrigal” is one of the most
celebrated and highly thought of choral ensembles, both in Romania
and throughout the world, especially in Japan.
Their fame is due to their unique singing artists – an experience testified
to by Lord Yehudi Menuhin
and Elizabeth Schwartzkopf, among others in the
“Golden Book”, a guest book begun in the 1960’s to accommodate the many
international accolades and endorsements the choir has received.
The “Madrigal Choir” was founded in April 11 1963, as a component of the
then “Ciprian Porumbescu”
Music Conservatory (now the National University of Music) under the
initiative of Mr. Constantin – professor in
residence, together with a few post-graduate student, all choral music
lovers.
They had their first concert on 7 of July 1963, at the Music Theatre in Brasov, and their first international
performance as part of the third edition of the International Festival
“George Enescu” in 1964.
Designed as a Renaissance chamber ensemble, Madrigal choir and its
director, Marin Constantin, aimed to prepare and
make known the canon of the European
Renaissance School
in the original languages of the songs. The development and diversification
of the repertoire involved the rediscovery of the great treasure of
Byzantine and old Romanian music, Christmas Carols, folk influenced music
and, shortly after its creation, Romanian contemporary music and
vocal-symphonic works.
The “Madrigal” choir has constituted, for young or experienced
composers, professors or composition students at the Music
Academy, a unique musical
interpreter and original laboratory of creation in which bloomed the trio
composer – director-interpreter Anatol Vieru, Miriam Marbe, Tiberiu Olah, Stefan Niculescu, Irina Odagescu, Dan Buciu and many
others.
The choir was affiliated with education programs at the Music
Conservatory by the activity of Marin Constantin
at the Faculty of Ensemble and Choral Directing and through the presence in
the ensemble of the students and post-graduate students of Music
Conservatory. National Chamber Choir “Madrigal” was permanently present in
the teaching activity through concert-lessons, meeting with pupils,
students and teachers within the musical field, symposia or special
concerts for different anniversaries.
Titles, prizes and distinctions
UNICEF Medal 1968
German Music Critics Prize 1971
Il Saggitario d’Oro
– Italy
1976
Una Vita per l’Arte
– David Michelangelo d’Oro – Italia 1977
Honorary Diploma and Prize, “Grand Duc Adolf” – Luxemburg 1979
Medaille en Vermeil – Luxembourg
1979
Exceptional ATM Prize for the Treatise “The Art of Choral Construction
and Interpretation”
Premium Magnum of M.Jora Foundation 1993
Honorary Diploma Union of Romanian Musicologists
and Composers 1985, 1993
Tours abroad
“Madrigal” performed on various world stages, as: USA, Italy, Germany,
France, Yugoslavia, Poland, UK, Hungary, Bulgaria, Spain, Belgium, The
Netherlands, Austria, Russia, Republic of Moldova, Norway, Sweden, Denmark,
San Marino, Switzerland, Canada, Portugal, Turkey, Finland, Greece,
Luxembourg, Lichtenstein, North Korea, Japan.
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Marin Constantin
Marin Constantin was born on the 27th of February 1925, in Urleta (Prahova) – Romania.
He graduated the Faculty of Musical Pedagogy and Choral Directing of the
National University of Music from Bucharest
(1944-1949) and the Faculty of Psychology and Philosophy of the University
of Bucharest (1945-1949).
During his studies, he was also a teacher at the “King Michael I Cultural
Foundation” under the direction of the founder of the Romanian
School of Sociology, Dimitrie Gusti.
1948-1952 – Assistant teacher at the Faculty of Psychology and
Philosophy of the University from Bucharest
1951-1974 – Director and conductor of the Romanian Youth Ensemble, with
whom he participated at many international tours and festivals, being
awarded with gold medals and the title of Emeritus Artist
Since 1956 – member of the Union of Romanian Composers and Musicologists
Since 1960 – Assistant, lecturer and then professor at the Faculty of
Ensemble and Choral Directing at the National University of Music from
Bucharest
1960-1964 – Director of the Musical Department of the Ministry of
Culture
1966-1970 – Director of the National Opera in Bucharest
1976-1994 – Lectured Master courses of choral directing and performance
in Italy, Switzerland,
Colombia, Mexico,
Ecuador, Luxembourg,
Venezuela, USA,
directing concerts with some of the most representatives
choirs from these countries. The recorded opus “The mastery of choral
structure and performance” is the result of Marin Constantin’s
teaching and artistic experience. During his life he has performed a large
and various choral repertoire, that comprises
masterpieces from the European Renaissance, Byzantine music, Romanian and
Universal classical and contemporary music, in more than 3500 concerts all
over the world.
He initiated and directed other choral ensembles, such as the Choir of
the University from Bucharest
(1948), the Choral Chapel “Gheorghe Cucu” (1958).
Although he had to respond to the demands of the Romanian and
international musical culture, since 1963 his life has been identified with
the existence of The National Chamber Choir “Madrigal”.
His activity has been enthusiastically rewarded by musical critics all
over the world with many prizes and distinctions, including the followings:
UNICEF medal (1968)
The German Critics Primary Musical Award (1971)
Il Saggitario d’Oro
– Italy
(1976)
“Una vita per l’Arte
– David Michelangelo d’Oro” – Italy
(1977)
Medaille en Vermeil – Luxembourg
Honorary Director of the Musical Conservatories of Tolima
and Mexico city
The Grand Duc Adolf
prize Luxembourg
(1979)
Exceptional Prize of the ATM for the Treatise “the Art of Choral
Structure and Performance”
UNESCO Goodwill Ambassador (1992)
Honorary Diploma of the Romanian Musical Critics Organisations
(1985, 1993)
Honorary Diploma of the American Biographical Institute (1994)
International Man of the Year (1990, 1992, 1994)
Doctor of Philosophy of Music – USA,
Arizona (1984)
Honorary diploma from the Romanian Ministry of Education
Patriarchal Cross of the Sacred Synod of the Romanian Orthodox Church
(2000)
Doctor of musicology – Cluj Napoca (1985)
Doctor Honoris Causa
– Academy of Music
“Gheorghe Dima”, Cluj Napoca (1994)
Honorary citizen of various towns in Romania
and abroad
Founder, conductor and honorary director for lifetime of the National
Chamber Choir “Madrigal” as ordained by the Romanian National Education
Ministry, under the Governmental Decree 57/1998.
National Order of the Faithful Service, Grand Officer status (2000)
“Mihai Eminescu” and
“George Enescu” jubilee medals
Grand Prize for discography, SADCO festival
Marin Constantin was mentioned seven times in
“Who’s Who” in
Great Britain
and in the USA,
as well as in the “New Grove Dictionary of Music and Musicians”.
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Mendi Rodan
Mendi Rodan, Music
Director and Chief Conductor of the Israel Symphony Orchestra - Rishon Lezion and Laureate
Conductor of the Israel Sinfonietta Beer-Sheva, takes an active part in
all facets of Israel's
musical life. He was Associate Conductor of the Israel Philharmonic
Orchestra (1993-97), Music Director and Permanent Conductor of the Belgium
National Orchestra in Brussels
(1983-89), Principal Conductor and Music Advisor of the Jerusalem Symphony
Orchestra (1963-72), Music Director and Principal Conductor of the Israel Sinfonietta Beer-Sheva
(1971-92) and Music Director of the IDF Educational Corps Chamber
Orchestra. In 1965 he founded the Jerusalem Chamber Orchestra. Prof. Rodan was Head of the Jerusalem Rubin Academy of Music
and Dance (1984-93) and was Music Advisor of the Jerusalem Music Centre Mishkenot Sha'ananim. Mendi Rodan conducted the
Israel Philharmonic Orchestra for the first time shortly after he settled
in Israel
and has since appeared with it numerous times as well as with other Israeli
orchestras. He has also conducted many prestigious orchestras in Europe,
in the Far East (including China),
in Australia,
in the USA
and in Mexico.
He serves as juror at many international music competitions (in both
composition and conducting), is a member of the Council of Higher Education
in Israel
and is Professor of Conducting at the Jerusalem Rubin Academy of Music. He
has conducted orchestral recordings for international labels and television
stations. In recognition of his artistic achievements, the President of
Italy awarded him with the Medal of Distinction of the Republic
of Italy. He is also an
Honorary Citizen of the State of Arizona,
USA. In
1997 Mendi Rodan was
awarded the Frank Pelleg Prize as Musician of the
Year by the Ministry of Education and Culture.
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 Nicolae Voiculet
Musician, composer
A CAREER DEDICATED TO THE PAN PIPE
From an early age when he heard the music of travelling
bands of gypsies in his native Romania,
Nicolae Voiculet
yearned to be a musician.
The virtuoso playing of Nicolae Voiculet creates a soothing aural landscape, an oasis
of calm in today`s increasingly frenetic world.
Nicolae Voiculet is
the recipient of well deserved critical and public acclaim the world over,
his in music for the heart and soul. Unique, bewitching and moving, Nicolae Voiculet is an
extraordinary artist. A Nicolae Voiculet concert is an extraordinary event
STUDIES
- National Academy
of Music, Bucharest
/ Romania
- George
Enescu Music
College, Bucharest
/ Romania
PROFESIONAL EXPERIENCE
- Asociate
professore of Music at “Art Resource Studio”
– Chicago, USA
- Assistant: Gheorghe Zamfir
MUSIC REPERTOIRE
- Classical,
contemporary, folk, jazz, new age, pop-rock, world music
Nicolae Voiculet an
exceptional musician has been committed to music since age.3. The only
student ever accepted by the great Gheorghe Zamfir,
Voiculet de veloped his
own style and repertory including the piano, however the panflute remains of course his forte and main
instrument. He performed on prestigious stahes
the world over: in France, Spania, Cehia , Germany,
Austria, Hungary,
UK the
U.S.A, Japan,
Thailand
and Italy
where he recentlyheld an extraordinary concert in
memory of Mother Theresa. Nicolae Voiculet he sustainednumerous
concerts in Detroit, Chicago,
Los Angeles, las Vegas and New
York. Among his professional achievements are a panflute school founded in Chicago
where he taught lovers of the panflute from all
over the World..
In an absolutely authentic manner the two artists convey the same message:that art will survive
in all it`s splendour
over the decades serving at the same time as moral lighthouse in the
darkness of the ages.
When Nicolae Voiculet
plays the panpipes, the instrument becomes magic. His virtuosity is the
result of rare musical talent, fabulous technique, and intense
concentration – the last one being essential for the panflute
are one of the few instruments that cannot be see while being played: and
which are controlled by the breath of the player alone.
Nicolae Voiculet`s
musical repertoire is among the most extensive of today`s
artists. It ranges from baroque and classical composers like Bach, Corelli, Vivaldi, Schumann,
Schubert on Puccini, to among the best known contemporary song writers.
No one in Europe nor the
world sings as the Romanians and no one has a richer, more amazing, nature
and God bound folklore.
The Romanian sings as he breathes and within all the creating
metamorphoses he has known to preserve with sacredness the sublime note
that has been the starting point of the whole system being created in his
genial “laboratory”.
The beauty and the freshness of each melody, is like a perfumed petal to
the flower, because each spring, hill, valley, forest or mountain has its
own voice, its inner vibration, which are expressed by the magnificent
tubes of the most oldest, complex, real and divine of instruments: the
PANPIPE.
Each melody is a small prayer, that is part of
the whole prayer of peace, hope and harmony on Earth.
Whit his magic flutes, Nicolae Voiculet has crossed innumerable boundaries, both
musical and geographical. Musicaly he breathes
new life into classical, popular, ethnic, new age,jazz,
world music and sacred works; geographically he has thrilled audiences in
concerts from Japan, Italy , UK,Cehia Austria,
Germany, France,Thailand, Spain to Scandinavia,
from South America to Australia.
This mastery of an ancient instrument requires a rare musical talent,
extraordinary technique and intense concentration. Panpipes have been
played for over 6000 years and are found in cultures ancient and
contemporary in Europe, Asia,
South America and Japan.
Nicolae Voiculet has
taken this traditional and naive set of pipes and transformed it into a
sophisticated solo instrument, capable of playing an enormous musical
repertoire, from Baroque concertos to popular themes to Nicolae
Voiculet first own compositions written for the
pipes whit piano, organ, chamber or full orchestra.
From an early age when he heard the music of traveling bands of gypsies
in his native Romania,
Nicolae Voiculet
yearned to be a musician.
The virtuoso playing of Nicolae Voiculet creates a soothing aural landscape, an oasis
of calm in today`s increasingly frenetic world.
Nicolae Voiculet is
the recipient of well deserved critical and public acclaim the world over,
his in music for the heart and soul. Unique, bewitching and moving, Nicolae Voiculet is an
extraordinary artist. A Nicolae Voiculet concert is an extraordinary event
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 Romania
National Radio Orchestra
Romania National Radio’s main symphonic orchestra has a long history of
successes. The orchestra has been founded in 1926 by Mihail
Jora, one of the most representative Romanian
composers, considered the creator of the national ballet and lied. Since 1932, it entered in the national theatrical
seasons, maintained until now between October and June.
The main mission of the Orchestra is to make know the Romanian creations
in the country and abroad, as well the world masterpieces. In that sense,
during the theatrical seasons, or in special concerts, the Orchestra is
outlining various classical compositions, in a particular interpretation.
The orchestra has as directors, high profile Romanian musicians, as well
as soloist. One of the representative abroad guests has been: Roberto Benzi, Emil Ceakarov, Sergiu Comissiona, Aaron
Copland, Lorin Maazel,
Ion Marin, Igor Markevitch, Kurt Masur, Willem Mengelberg, Václav Neumann, Michel Plasson,
Ghenadi Rojdestvenski,
Hermann Scherchen, Leopold Stokowski,
Jin Wang, Carlo Zecchi.
Among the soloists, we’ll mention the piano players: Monique de la Bruchollerie, Aldo Ciccolini,
Emil Ghilels, Nelson Goerner,
Elisabeth Leonskaja, Radu
Lupu, Nikita Magaloff, Garrick Ohlson, Gerhard Opitz, Sviatoslav Richter,
Francois - Joël Thiollier,
Mihaela Ursuleasa, Elisso Virsaladze s.a.; the violin players Lola Bobescu,
Oleg Kagan, Jean-Jacques Kantorow,
Gidon Kremer, Silvia Marcovici,
Mihaela Martin, Yehudi Menuhin, David Oistrach, Eugen Sarbu, Isaac Stern; the
cello players Radu Aldulescu,
Vladimir Orlov, Mstislav
Rostropovici, Alexandr Rudin; the organist Pierre Cochereau
and the canto singers Monserrat Caballé, Eliane Coehlo, Viorica Cortez,
Ileana Cotrubas, Placido
Domingo, Ruxandra Donose,
Angela Gheorghiu, Luciano
Pavarotti, Eduard Tumagian.
The records for the radio broadcasts, the repertoire, the TV shots, as
the live transmissions (including the international transmissions through
the Radio European Union) are honoring that elite symphonic orchestra.
Their prestige have been recognized by important
national and international awards, among which we’ll mention: Charles Cros – France, Puerta del Sol
-Uruguay,
Koussevitzky-USA. The tours made all over the world propagated the fame of
Romania National Radio Orchestra, as one of the prestigious bands of the
world Radios.
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 HOLOGRAF
The earliest rock bands in Romania
emerged in the students environments and the first
ever rock music festivals were also featuring students bands. It so
happened that this kind of music had an appeal to the studying generation , and it was the students who started
offering the youth an alternative to the "official" pop music.
The students environment offered the adequate bohemian way of life and
allowed minor excesses in music and "look", because the strict
directives of the censorship were ingeniously bypassed in the students
Houses of Culture.Consequently , in the autumn of
1978 Mihai Pocorschi ,
a student at the Polytechnical Institute and folk
music performer , winner of the " Ballad Spring " festival ,
started rehearsing at the students House of Culture ( the famous "Preoteasa") together with a few others , students
at Geology.Some of them went away , some new ones
came along and a more or less stable formula was reached, including Mihai Pocorschi,
(guitar/vocals), Eugen Sonia (base), Cristian Lesciuc (solo
guitar) si Boris Petroff
(drums). They called themselves Holograf. Very
soon Edi Petrosel took over as drummer.Later Tino Furtuna (keyboards) joined in, and Stefan Radescu became the vocalist. At a later stage Cristian Lesciuc was replaced
by Cornel Stanescu and in this structure they
stayed on during their students time.Together
they won several awards of the Students Arts Festivals and had their music
recorded at the radio and television.
The sweet years as students were quickly gone and the band members were now
facing a big problem.In those days all graduates
had to spread all over the country ,in cities as far as possible from Bucharest,where they were ordered to go to work, so
that in most cases the students bands disappeared. The members of Holograf stayed together ,
managing to "group" near the city of Pitesti. Two difficult years followed , with exhausting shuttle trips and financial
sacrifices made in order to be able to rehearse and perform.However
, due to their determination to stick together at any cost Holograf made themselves a name in the musical world of
those days.The time had come for yet another step
forward..
There comes december 1989. The Iron Curtain
has fallen and the Western World, only glimpsed at in magazines and video
cassettes until then was out there waiting to be conquered.. Or ,at least so they believed .At the beginning of
1990 they travelled to England and France , only
to find out that a friendly and polite audience or a recording session do
not mean anyting , and turning over the magazines
is little help in understanding how this merciless musical industry is
operating. And most of all , that one must live
there , among those people in order to be able to sing about them. It is
not the instruments , but the ideas that are the
key to success.It was in this period that Nutu Olteanu moved to Sweden
and his place with the guitar was taken by Florin Ochescu..
This was another difficult moment.In the country
the Romanian music of any kind was swept away by the foreign one, which , after being censored for decades , was now
exploding in all the radio and tv stations , as
well in discos.Politics and tabloids were taking
care of any remaining public attention , so that Holograf
was nearly becoming a memory of the 80's.
Like ten years earlier , the solution was to change "the nest".Between 1991 and 1993, the band performed in
Holland, in clubs and discos.This way they
managed to stay together and learn about the operation of the European
musical industry. They were performing in the country every now and then and
were even able to publish a new album, "Banii
vorbesc"("Money talks"). In 1993,
Florin Ochescu leaves the band and is replaced by
Romeo Dediu, a young guitar player coming from a
band called Commando.1994 was the year of resurrection
for the Romanian music.People had had enough of
MTV and were ready to rediscover the local bands.The
advertizing industry became involved in
organizing events and things got moving.
The golden "triplet" of the Romanian rock (Iris, Holograf, Compact) regained their place in the heart of
the audience.But now they had to fight a new
challenge - each year a new style was "in".The
"old dynosaurs" were outdone , in turn
, by thrash, tehno, rave, jungle, dance or , as
the case may be, by the Romanian press. Finally Holograf
succeeded to overcome the "age" complex and mind their own way.
In 1995 the album "Stai in poala mea"( Sit in my
lap), stll tributary to 80's rock. 1996 brings
"69% Unplugged", a collection of hits played live. The real
success came in 1998, with "Supersonic", that shadowed any other
previous musical achievement and proved that , in
spite of their age , for Holograf a new era was
beginning. They understood that real music will not be affected by age or
fashion. And the young jounalists were no longer
looking at them as at some curiosity but as what they really were - a
successful band..
The album "Undeva departe"( Somewhere far away)in 1999, produced yet another hit,
and "Holografica", published in
November 2000, swept off the sales records.For
the first time ever a Romanian band enjoyed the absolute success,
irrespective of the listeners age, tastes, in the country or abroad.22
years after its set up Holograf was reaching far
beyond the dreams of those few students reahearsing
in the little room at the 2nd floor back at the Students House of Culture.
2003 was a sensitive year for Holograf.
Success is two-sided and those who are not cautious will be destroyed by
it. Any Holograf product is now much more
carefully judged and the only chance is to permanently try to be better
than the previous time. Far beyond the record ,
the ups and downs , the Holograf story is the
story a a handful of people who showed that love
for music , friendship and determination can make a dream come true..
"Pur si Simplu"(Simply Holograf)
is the conclusion of this actual state. Composed ,
arranged , recorded and produced by Holograf ,
this album is the first fully independent achievement of the band, at a
time when they believe that their long experience entitles them to decide
for themselves.Ten new songs won the audience
both through radio and tv stations , and the 50
days tour brought an enormous success in the promotion of this album.Thereby making 2003 one of the most important
years in the career of Holograf.
2003 was simply a … Holograf year and meant 50 Holograf concerts , performed
during three tours under the brand name Simply Holograf
, as follows :20 cities in spring , 10 concerts in summer at the sea side
and other 20 cities starting with 31st of October.And
every time Holograf were at their best , because
this is what they promissed their audience, their
friends and their team..
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